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OffStereo builds narrated music history shows around real records. A Tribe Called Quest runs through 13 of them, 1 that take them as the subject and 12 more where they surface inside someone else's story. They appear most often alongside Common, J Dilla and Slum Village.
Lou Reed's "Walk on the Wild Side" bassline and outsider narratives lay the groundwork for A Tribe Called Quest's jazz-infused hip-hop, transforming rock's melancholic origins for the 90s.
Featuring Can I Kick It? · Bonita Applebum · Electric Relaxation
J Dilla's un-quantized drums from Detroit create a breathing pocket that reshapes hip-hop, a sound Slum Village champions and A Tribe Called Quest expands.
1 of 10 tracks — Find a Way
From sampling Kool & The Gang to his unquantized beats with Slum Village, J Dilla's radical sound on Welcome 2 Detroit shapes hip-hop's future, from Kanye West to Larry June.
1 of 8 tracks — Get A Hold
J Dilla's "quantize off" technique on the MPC3000 gave hip-hop a humanized, "drunk" feel, a rhythmic revolution on par with Armstrong that shaped A Tribe Called Quest to Flying Lotus.
1 of 8 tracks — Sucka Nigga
Mulatu Astatke's Ethio-jazz, pioneered in 1960s Boston, finds a new groove in 90s hip-hop, as Digable Planets and A Tribe Called Quest embrace its unique sound for tracks like "Rebirth of Slick" and "Electric.
1 of 8 tracks — Electric Relaxation
Don Henley's "Boys of Summer" to Pete Rock's "T.R.O.Y." shows how music captures the bittersweet melancholy of summer's end and life's profound transitions.
1 of 8 tracks — Find a Way
Yusef Lateef's 'Autophysiopsychic Music' brings global sounds to jazz by 1957, from Egyptian argol to Indian flutes, profoundly shaping John and Alice Coltrane's spiritual explorations.
1 of 8 tracks — Vibes and Stuff
Pharrell Williams synthesizes New Jack Swing's drum-heavy production and A Tribe Called Quest's artistry into a meticulous, genre-defying sound that shaped hip-hop and R&B from "Frontin'" to N.E.R.D.
1 of 8 tracks — Scenario
De La Soul's "Eye Know" masterfully recontextualizes Otis Redding's melancholic whistle from "Dock of the Bay" into a joyful hook, showcasing the innovative sampling that defined 3 Feet High and Rising and built on.
1 of 7 tracks — Can I Kick It?
The 90s explode with Nirvana's alt-rock, then diversify into Dr. Dre's G-Funk, A Tribe Called Quest's jazz-hip-hop, and Massive Attack's trip-hop, reshaping the decade's sound.
1 of 8 tracks — Electric Relaxation
Oscar Peterson's vast, spontaneous jazz catalog is the goldmine for hip-hop, fueling soulful beats from J Dilla and A Tribe Called Quest to Madlib.
1 of 8 tracks — We've Got The Jazz
The Fender Rhodes' unique dynamic range, from its jazz fusion origins with Herbie Hancock to Donny Hathaway's soulful growl, transforms into the sampled, buttery sound of A Tribe Called Quest's hip-hop.
1 of 7 tracks — Electric Relaxation
The intentional lag of drums behind the beat, from James Gadson's funk to J Dilla's "drunk" grooves, shapes neo-soul's hypnotic pulse and hip-hop's golden era.
1 of 8 tracks — Electric Relaxation